How you can help AndAlso open an improv theatre

Last week, we shared a blog about the building we had hoped to move into. While it wasn’t the news we wanted to be sharing, the response has been amazing. We’ve been overwhelmed by messages of support, from Brighton and from much further afield.

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An Update on the Ampersand: Not what we wanted to be sharing

This isn’t the update we wanted to share, but it’s an important one. We are facing the possibility that we may not be able to move into 12-14 Church Street as planned. This doesn’t change our ambition to open an improv theatre called the Ampersand…

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No Stupid Questions: Can you do what you want in improv? (Part 2)

When you start doing improvisation, your teacher will probably tell you to be obvious. Don’t think too hard, say the first thing that comes into your mind. See a knife and fork? Add a spoon! Scene starts with ‘I love you, dad’? Say ‘I love…

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No Stupid Questions: Can you do what you want in improv? (Part 1)

‘The freedom of improv is one of the things that draws people to it. When you step onto the stage, anything could happen. You turn off the conscious mind, take a holiday from the everyday, and let creativity happen to you. Surely letting your instincts take…

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No Stupid Questions: What’s the difference between ‘Improv’ and ‘Impro’?

‘Improvisation’ is doing something without a plan. And ‘improv’ is the practice of doing it in theatre or comedy. Or is it ‘impro’? At AndAlso, we mostly use ‘Improv’’, but our good friends at Hoopla say ‘Impro’. So does the ‘v’ matter? Or rather, why and how much…

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A guide to the structure of the Harold

The Harold, when you first approach it, can seem intimidating. Sure, it’s only an opening, nine scenes, and two group games, but how it all links together is a lot. A lot to remember and a lot to get right*. But here’s the thing: it’s all there for…

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Episode 28. True-Life/Armando Monologues

In this episode, Heather & Jules discuss monologues, specifically, Armando monologues. True-life monologues: what makes them great, how to do them, and then how to deconstruct them afterwards to make the scenes. It’s quite a technical one, so strap in! This episode is part of our ongoing improv podcast…

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Brighton Showcases 2025

Brighton Showcases 2025 – some thoughts Last week was showcase week in Brighton, when our students share what they have been doing with an audience of friends, family, and other students. And we have a lot of classes now. Five full nights worth. So, for probably the last…

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The Ampersand: An Update

The Ampersand: An Update Back in January, we thought we would be in the Ampersand* by the end of the summer term. On course pages, we wrote that we would start at BHASVIC** but expected to run end-of-term showcases in our new space. How foolish we were is…

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Episode 25. Editing

In this episode, Heather and Jules explore the art of editing in improv—how and when to cut scenes or moments to keep the flow strong and the story clear. They share tips on recognising natural endings, trusting your instincts, and maintaining the energy without over-editing.     This episode…

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How to manage nerves before an improv class?

by Jules Munns, Director of Studies I like telling this story to new improvisers because it often surprises them: I started doing improv because I hated improv. Well, not quite hated it. Friday mornings at drama school, we had improv classes with a gentle…

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An Improviser’s Gift Guide

The holiday period can mean lots of different things. Time with the family, twinkly lights and snow, two weeks drunk, a race to get this year’s work finished, ice skating, the birth of mankind’s saviour, duvet time, Stollen, Die Hard. And of course, presents. Improvisers can be hard…

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